It’s interesting to note that the earliest appearance of Grecian, in the 1840s, was in a condensed form. The full face version that inspired Hoefler & Frere-Jones’ steroidal Knox didn’t show up until nearly twenty years later.
A side by side comparison of two F’s – both came in a single case of type purchased last year from an eBay seller – illustrates how slight changes to a letterform can dramatically alter its presence. The character on the right has an elongated upper arm and a thinner central arm (or crossbar) with the addition of unbracketed serifs. These seemingly minor design changes make this F appear narrower and more refined.
Last night I installed a small show at Alchemy. Lauren helped me hang twelve new prints, plus two completed last year. The main attraction of the show, entitled Hyperbole For Sale, is the immense “Super, Extra, Ultra, Mega!” At 19.75 x 27.5 inches, it’s easily the largest print I’ve made, and it was only possible because of the fabulous Vandercook SP20 at the Book Arts Studio.
Super, Extra, Ultra, Mega! on press
The first line is 30 line Grecian Condensed; second is 20 line French Clarendon; Ultra is set in 24 line Gothic X Condensed (the only type used for this piece not from my collection); and last but not least is 15 line Antique Tuscan.
Printing on the SP20, photo courtesy Lauren Huber