Archived entries for capital S

15 line No. 507

picture and printed proof of 15 line No. 507 wood type capital letter S

Antique Tuscan X Condensed No. 11

picture and printed proof of Antique Tuscan X Condensed No. 11 wood type capital letter S

12 line Broadway Condensed

Picture and printed proof of 12 line Broadway Condensed wood type capital letter S

12 line Egyptian Extra Condensed

photograph and scanned proof of wood type letter S

4 line Roman Extended

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Thank you Darius and Heber Wells, William Leavenworth, Edwin Allen, William and Samuel Day, Horatio and Jeremiah Bill, J.G. Cooley, Ebenezer R. Webb, William H. Page, William T. Morgans, Charles Tubbs, James Edward Hamilton, Bill Jones, and Scott Moore.


12 line Balloon Extra Bold

20 line Grecian Condensed

6 line Gothic

8 line Rugged

15 line Antique Tuscan

12 line Arabian

You may have noticed (at least I hope it’s noticeable) better, sharper pictures lately. I finally got tired of crappy unpredictable images and invested in a macro lens (yeah!). Though I haven’t quite mastered this photographic process, the new lens makes a dramatic difference (I know, duh). Since my font of Arabian has the manufacturer’s imprint prominently stamped on the capital As, I thought I would share a new and improved image of the Wm H Page & Co, Greenville CT mark.

P.S. Letterpress Daily Loves You

72 line Gothic

When describing the height of wood type, a line is equivalent to a pica. For those of you out there with rusty line gauges, 72 lines equals 12 inches. What’s that, you want to see more? Stay tuned. . .

20 line Republic Gothic

04/15/10 update: Upon closer inspection of this and other characters in the font, I can see clear indications of router production (thank you to Nick Sherman and David Shields for their comments). Also, David Shields suggests the manufacturer was likely the American Wood Type Manufacturing Company, which became American Printing Equipment & Supply Company, still in business – I purchased a brayer from them last year – though they no longer manufacture wood type.

18 line Gothic (Hamilton No. 266?)

As you can see from the above picture, this letter had never been inked before I proofed it for this post. In fact, of the 78 capitals and punctuation in this font, only 9 – now 10 – have seen ink since production. The font is cut from side grain wood, but there are no router marks, no manufacturer’s imprint, and the depth of the face is deeper than any die-stamped type I’ve seen, so I’m unsure of the method of production. It’s also curious that the face of the font was not coated with varnish or shellac.

When inked, the Pantone 185 looked so hot I couldn’t resist including a photo of the letter locked up with magnets on the bed of my 7.5 x 11 inch Showcard Machine Company press.

The inked letter on press

Proof of 18 line Gothic No. 266

So Sharp

30 line Gothic Tuscan No. 3

First appearing in the 1850s, this pointed Tuscan – as differentiated from the concave style Tuscans (see “L is for Love Letters,” January 17) – can be seen in the 1888 “Specimens of The Wm. H. Page Wood Type Co.” Below is a scan from a facsimile edition of that specimen produced by Pioneer Press of W. VA., Inc. in cooperation with David W. Peat, a collector and authority on type specimen books.

The small capital D in the upper right hand corner of the scan is the price code. According to the “Reduced Price List, 1888” included with the specimen book the 30 line Gothic Tuscan No. 3 cost $0.14 per letter. According to Measuring Worth, that would be the 2008 equivalent of $3.27 per letter. The smallest capitals only font of type contained about 75 letters and 26 figures (numerals).

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