Archived entries for capital G

15 line No. 507

picture and printed proof of 15 line No. 507 wood type capital letter G

Antique Tuscan X Condensed No. 11

picture and printed proof of Antique Tuscan X Condensed No. 11 wood type capital letter G

18 line Unit Gothic

picture and printed proof of Unit Gothic wood type capital letter G

5 line Aetna

12 line Mode Condensed

15 line Gothic Tuscan Condensed

8 line Ionic No. 1

15 line Clarendon X Condensed Lightface

12 line Newstype

10 line Lydian Bold Condensed

Warren Chappell designed Lydian Bold Condensed eight years after designing Lydian and its italic. Though the original weights are easily the most popular modulated sans serifs of American origin, the Bold Condensed weight is, in my opinion, much more compelling.

6 line Gothic Extended

8 line Rugged Condensed

Gimme a Sign

12 line Signal Black

The identity of this face has eluded me for two years – thank God for The Encyclopedia of Type Faces! The genius of this classic is in the organization under three main sections: Romans, Lineales (Sans Serifs), and Scripts. I had been unable to locate Signal in McGrew’s American Metal Typefaces of the Twentieth Century because it’s buried in Appendix II: Popular Imports. I assumed, rather naively, that a face cut into wood probably originated in the States (hello. . .  Futura!?). According to Jaspert, Berry, and Johnson, Signal was designed in 1931 by W. Wege for the great Berlin based type foundry, Berthold. I will sleep much better tonight having solved this mystery.

This nearly-monoline capital G is cut into the side grain; unfortunately, no manufacturer’s imprint is present.

Gee

10 line Kabel

A wood version of the popular metal face designed by Rudolf Koch. This font was cut by The Hamilton Wood Type Company, Two Rivers, Wisconsin. According to Kelly, the imprint on the capital A (see image below) was used by Hamilton after 1891. Kabel (the original metal version) was released by the Klingspor foundry in 1927.



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